I notice you *lost* some of the blacks in colouring this piece, ie the hand in 5. I guess that was for clarity in moving from black and white to colour, but I was wondering - would you always take that approach? I'm thinking of when you colour other artists' work; do you treat them as if you were colouring your work, or does their work take precedence over what you would do?
Yes I edited the blackline in places on this for clarity. As for colouring others work - I wouldn't edit out anything another artist has done except if the editor requested it beforehand ( that has happened). I might do colour holds on lines though if an effect required it. Basically I try to colour sympathetically to drawing I'm given - some art requires more work in shading , others less. That's what I like about colouring others work - I learn what makes them tick.:)ade
Just wondered if the Zygon strip was for a private person or if it's going to be published. It looks fab.
A private commission . Thanks.Ade